The Futures Archive S2E6: the Bug Zapper
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Note: This episode addresses matters significantly sensitive in light of this week’s college capturing in Texas. While Design Observer has by no means shied away from difficult conversations, the editors acknowledge that this content could also be difficult for some listeners. Content Warning: Violence, killing, and death are discussed on this episode. It could be hard to search out somebody who desires to share space with a mosquito. Hence, the creation of the bug zapper. But as designers, how do we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time reflect humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Zap Zone Defender Paula Antonelli, and Lindsay Garcia. There is a necessity for people to exert their authority, however there is also a necessity for us to exert our love. The factor that I hope we hold space for is: That is all apply because it’s not going to be resolved, and it shouldn’t be.


That will create some sort of stagnancy. Life is actually about holding house for dynamism, changes and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor Zap Zone Defender of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founder of FLOX Studio, a neighborhood design and Zap Zone Defender technique studio. David MacNeal is a writer and the author of Bugged: Zap Zone Defender The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and lecturer at the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-writer of “Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing”. Paola Antonelli is an creator, architect, and the Senior Curator in the Department of Architecture and Design at the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.


Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A giant due to this season’s sponsor, Automattic. Hi, everyone, that is Lee. Every week is a little totally different on this show. And this week, whereas we’re still speaking about design, we’re going to be talking about some pretty serious issues. And Zap Zone Defender Review so I want to ensure that everyone who’s listening is aware of that’s in a great place when they’re listening. And that i encourage you to examine our show notes previous to listening to the episode so you perceive the context of what we’re talking about and put together ourselves a bit. Beyond that, I welcome you to the dialog and that i hope you discover this conversation as highly effective as it was for us. And i thank you for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, Zap Zone Defender search for the human at the middle and keep asking questions.


… and I am Sloan Leo. On each episode we’re going to start with an object with energy. Today the object is the bug zapper. We’ll look on the historical past of that object from our perspective, as designers who’ve done work in human centered design. Not simply how it appears to be like and feels and sounds and smells, but in addition the relationship between that object and the individuals it was designed for… … and with other people too. The Futures Archive is delivered to you by the design workforce at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s wonderful to see you once more. Thanks for joining us. Lee, it’s a thrill to be here. So I’m questioning-for this specific episode, I’m wondering if you could possibly inform me a little bit about your historical past as a baby with bugs and insects. Where you this sort of like, like child that like liked the creepy crawly stuff?